EXHIBITS



A Vestibule with projected latex performance video opens into a gallery space with brightly colored rubber canes, marbleized rubber grabs, amber rubber cypress knees, and wooden benches.
A white gallery space holds two brightly colored rubber canes, marbleized rubber grabs, amber rubber cypress knees, and two wooden benches.
A gallery corner space is spotted with marbleized silicone grabs and a small CTV playing a video of the artist installing the work using their access device is propped up by a mold from one of the rubber grabs.
A bright pink rubber cane is propped up on a clear acrylic stand. Amber urethane cypress knees sit on the black floor behind the cane. The walls have marbleized rubber rock wall grabs installed at low heights.
A zigzag pink rubber cane hovers above a black industrial stairwell.
The artist's blue walker is propped in the corner of a white bathroom. Exaggerated long black floggers extend from the handles and drape through the room.
Heavy Hold: A Physical Score, solo exhibition, VCU: Anderson Gallery, Richmond, VA. 2021









Crip Algebra: Alx Velozo, RA Walden, Saar Shemesh. Current Space Gallery, Baltimore, MD. 2023




In a dark room a light hovers and casts blue illumination downwards through a screen onto a polished clay wedge.
A tiled gallery space with dark wooden ceilings is installed with an oblong painting, several rectagular paintings, and a small arced clay sculpture towards the center.
Traces, 888 Newark Ave Basement Gallery, Jersey City, NJ. 2017






A cinderblock-walled basement gallery is installed with a small wall sculpture and two 2 dimensional artworks.
A concrete corner is installed with a rag sculpture and a small chainlink sculpture with a wax mouth and blue portal.
A painting, a concrete sculpture, and a monitor are installed in the bright lighting of an unfinished basement gallery space.
Expansion Foam, 67 Ludlow Gallery, New York, NY. 2015








Square paintings and sculptures are installed across a large bright gallery space with a concrete column in the center.
A square painting of white shirts weighted down with rocks hangs next to an orange floor sculpture, a folding sculpture and a shelved wall sculpture made of chainlink, wax, and blue paint.
If Less than a Boy Were Fruit, Cooper Union, New York, NY. 2014