︎

SCULPTURE



On a white wall, a layered arrangement combines a folded gray bandana, a sheet of soft pink fabric, and a piece of yellow plexiglass that is drilled to the wall and traps everything into place. Behind and beneath the plexi, a translucent pink mesh with raised anti-slip patterns and a yellow hospital-style anti-slip sock protrude, creating an uneven, draped composition. A paragraph of printed text on clear acetate extends out from behind the plexiglass, partially visible through the overlapping materials.

Mounted on a white wall, a square piece of gray translucent plexiglass is drilled slightly askew, trapping several overlapping materials that spill beyond its edges: a paragraph of printed text on clear acetate, a navy blue bandana that drapes and hangs over the plexi, and a piece of dark blue mesh with a visible rubber anti-slip pattern.

On a white wall, two small rectangular plexiglass panels (one purple in the upper left and one neon yellow in the lower right) are drilled slightly askew, pinning a pale mint mesh fabric with raised rubber anti-slip texture. A green hospital-style anti-slip sock is folded over the yellow plexi, hanging downward. Beneath the mesh, a paragraph of printed text on clear acetate is partially visible and slightly overlapped by the layered materials.

Two pieces of clear plexiglass smattered with screws press a translucent blue surgical mesh atop neon yellow mesh fabric. The mesh fabric’s raised rubber anti-slip pattern faintly shows under the creased blue mesh. Towards the lower center a screw with a rubber washer pulls and twists the fabrics into folds. Beside it is a ghost of printed text.
“Flagging color study #1 - 4,” 2025. Bandana, plexiglass, mesh, used hospital sock, transparency sheet, silicone, hardware 23”x18”

This body of work "Flagging Color Studies" explores a fantasy of the standardized color codes of hospitals re-lensing and mutating the longstanding  queer hanky code color system. These tactile collage supports integrate used physical materials directly from the artist's  experiences as a patient (hospital socks, surgical hairnets, etc.), written excerpts of BDSM scenes between patients in hospital settings but void of medical authority figures, translucent mesh with hand casted rubber hospital grips, and colored plexiglass transforming the colors of the hospital materials and found bandanas (traditionally used in hanky code).

Contact artist for full text included in the work.



A large translucent rubber casted net is suspended from the ceiling by four vertical metal chains, one at each corner. Each chain drops directly down from ceiling hooks and ends with a small metal sphere, giving the installation a sense of tension and gravity. The open lattice structure of the net sags gently between the chains, forming a rounded shape that floats and droops above the floor beneath it. There are several wide tears in the net that fray under its own weight. The net hangs over a white gallery bench that is outfitted with a cushion made of surgical draping and mesh casted with silicon grips. In the background there is a touch object shelf hung at 31" with a sample of the net for easy tactile access.


Sick Play: Body of a Trap, 2025. Chain, hardware, metal weights, silicone, 64”x42”x30”




A tall, improvisational sculpture stands leaned against the corner where two white walls meet, built from latex tubing in a yellowing brown and off-white tone. Tubing stretches between metal anchors on both walls, creating a zigzagging form that rises from the floor to nearly the ceiling. Several small stretched pale peach pink and muddy mauve rubber locks connect the tubes at angles. The end of each tube has been folded back on itself and wrapped with thin silver metal wire. At the base, a single vertical rubber tube extends out towards us, and is tied off on a bright red rubber dumbbell, which acts as a counterweight. The rods at midpoint angle outward–one crossing in front of the other–before reaching back toward metal mounting points fixed in the drywall. Shadows cast by the taut bands create secondary lines across the wall.

Flesh toned silicon casted locks stretch between yellowing latex tubing. This latex tubing is traditionally used in hospital settings to affix catheters, IVs, and torniquettes.
“Locked stretch” 2025. latex tubing, silicone, hardware, dumbbell 90”x 40”x 8”


A chain hangs straight down from the ceiling to pool onto a square piece of mottled olive carpeting clipped by two clip boards. Soft silicone locks casted in light complexion colors- peach beige and tan- interlock with the chain and stretch and distort between pooled links. 3 soft silicone locks stretch and warp from the vertical chain at varied heights from the floor.

A chain hangs straight down from the ceiling to pool onto a square piece of mottled olive carpeting clipped by two clip boards. Soft silicone locks casted in light complexion colors- peach beige and tan- interlock with the chain and stretch and distort between pooled links. 3 soft silicone locks stretch and warp from the vertical chain at varied heights from the floor.
Chainlinked, 2025. Silicone, metal chain, carpet, spray paint, clipboards 16” x 16” x 168”



This graphite rubbed sculpture is composed of 3 weaving tubes mounted on a white wall. The tubes are bent in various directions with a marbleized sky blue rubber hardware at each point they meet the wall. There are a total of 6 points of contact fixed by this sky rubber hardware.

Two dark gray tubular shapes intertwine in elegant curves, rising from the floor and bending up, forwards, or down. The tubes have round rubber marbleized sky blue hardware at both ends, where they meet the wall or the ground.

A long, narrow u-shaped black tube hangs from the ceiling. Attached to the tube is a large blue rubber ring that is textured with equidistant bumps. The blue ring is suspended from the smooth, u shape of the graphite rubbed tube.

A U-shaped tube rubbed in graphite is hung on the wall below at an average railing height. Two round sky blue rubber hardware mark where the form meets the wall. Below and to the right of the u form, a second linear form of the same material extrudes out of the wall and falls down to the floor, following a zigzag pattern that resembles stairs. Sky blue rubber hardware attaches the form to the wall and the floor.

A U shaped graphite colored tube is in the center of the image with symmetric looping shadows falling from it onto the white wall. The grab bar is connected to the wall with sky blue rubber hardware.
“Speculative Grab Bars #1 - 4” 2023. PVC pipe, silicon, graphite, hardware, dimensions variable

This series of work creates grab bars, a commonly visible access device, to speculate on access beyond mere survival and into a disabled sociality. These works are sized to the dimensions of the artist’s body and provide a physical dance score for supported movements. With hardware of soft silicon and a surface rubbed in graphite, they daydream of devices that invite sensual attention to the materials and indexes of access.



Close up of a lavender and chartreuse marbleized silicone rockwall grab. Three other grabs out of focus installed on the wall in the background.

Colorful silicone rock wall grabs are installed along the periphery of a white walled room. Two rectangles of carpet, each with one grab atop, sit on the concrete floor.

The corner of a white room is peppered with marbleized silicone rock grabs. A small surveillance tv plays documentation of the artists installing the grabs using their access device.

Close up of a cobalt blue and deep purple marbleized silicone rockwall grab on the corner molding of a white room. Four other grabs are installed but out of focus in the background corner of the room.
“Grope” 2021. silicone, metal hardware, carpet, dimensions variable



An exaggeratedly long gray rubber cane drapes between two a yellow transparent acrylic stands. The two yellow acrylic stands are each made up of upside down u shapes for the rubber cane’s handle and center to rest on, a vertical acrylic rod and a rectangular platform, all of which are a bright translucent yellow. The cane’s form distorts over these two stands.

A gray rubber cane stretches into two humps across two yellow curved acrylic forms that are held upright by vertical yellow acrylic poles.

A transparent yellow acrylic rectangular sheet with a corresponding vertical rod sits on top of pink terrazzo. A long cylinder of light gray rubber tipped in a dark gray cane end curves where it meets the yellow acrylic plate and ground.
Gray Rubber Cane, 2022. Silicone rubber, wire, colored lucite, 40” x 15” x 20”



A pink rubber cane with a gray stopper drapes over a bright blue acrylic stand. The simple acrylic stand is made up of an upside down u shape for the rubber cane’s handle to rest on, a vertical acrylic rod and a rectangular platform, all of which are a bright transparent blue.
Pink Rbbr cane, 2021. silicone rubber, wire, 40” x 10” x 5”



A zigzag pink rubber cane hovers above a black industrial stairwell.

Stair Rubber Cane, 2021. silicone rubber, wire, acrylic rod, 30 x 40” x 6”




More than twenty-five amber colored rubber castings of Cypress knees protrude from a black reflective linoleum floor. The room is bright white and dark reflections stretch downward from each knee.

A close up of a grouping of three amber rubber casted cypress knees.

A close up of amber rubber bark texture holds traces of dirt and moss in its folds.
“Prosthesis” 2021. Urethane rubber, Dimensions variable





A black, red, and yellow rope coils and snakes in loops balancing unlit candles over a horizontally oriented flat gray gradient background.

A black, red, and yellow rope snakes in loops that are topped with lit candles over a vertically oriented flat gray gradient background.
“Vigil for a Flare” (in progress) 2023. Rope, resin, candles, hardware, 40” x 22” x 18”

6 Hand-sized rounded concrete forms coated in brightly colored latex sit on a paper pulp tiered surface.

A shelf and a folding table with multiple tiers coated in gray paper pulp sit angled against a white corner. They hold many hand-sized rounded concrete forms coated in brightly colored latex.

3 Hand-sized rounded concrete forms coated in bright lavender latex sit on a gray paper pulp coated shelf on a white wall. The shelf is punctuated with a rubber drain stopper.

A close up corner of a gray paper-pulp table reveals 4 Hand-sized rounded concrete forms coated in brightly colored latex surrounding a metal drain.
“Play Party” 2018. Wood, concrete, latex, paper pulp, table legs.  35” x 24” x 30.” (shelf detail) 7” x 15” x 4.” (Hole detail) 35” x 24” x 30”




Black folding steel legs stand atop rectangular gray paper pulp bricks. A circular gray top holds 5 smooth rounded concrete forms.

four small rounded and distorted concrete forms sit on a tiered circular gray pulp paper stool top.
“Hole Alphabet” 2018. concrete, metal folding stool, casted paper pulp, wood. 30” x 18” x 18”  





A faux asphalt ear peels up from a dappled gray platform revealing a polished inside mimicking the folds of an inner ear. Bright sprigs of plastic grass sprout from a crack in the platform.

A curved plane of faux asphalt lifts showing its rugged surface. A foam wedge helps to prop it on top of the ledged platform.


“Ear’s Phault” 2016. hydrastone, concrete pigment, styrofoam, plastic, shoe foam, paint, wood, steel. 27” x 40” x 20"





one orange and yellow graphic silk drawing of a snake moving across a brick wall hangs vertically off of the wall. A second green and purple silk protrudes from the wall, curving up from below the vertical silk.

Multiple colorful silk drawings float suspended across a white room.
“Untitled (Silk Drawing Installation)” 2018. silk, dye, fishing line. Dimensions variable





A blue light hangs over a sculpture layered with moraed screens over bruised clay on top of a squat wool pedestal.

A blue orb reflects through screens propped above rounded burnished clay. The clay presses against dark gray wool on a gray floor.
“Stretch Marked” 2017. unfired clay, wool, screen, wire, wood, lightbulb, metal. 18” x 30” x 24”





A hand twisted chain link fence sits on a pentagonal plywood shelf. The wall behind the shelf is spray painted blue and wax teeth impressions are embedded into the chain.
“Wired Jaw” 2014. plywood, paint, wire, dental wax. 18” x 15” x 6”





A concrete-casted urn form sits atop a bent concrete shelf, atop a tv table, atop a scattered pile of baby blue paper.
“Marked Grey” 2015. concrete, paper, found t.v. stand, plexiglass,  caulk. 17” x 30” x 40”





A mortared pillar of bricks stands pierced by a bronze-casted stalk of wheat in an empty room.
“Brick Wall” 2014. bricks, mortar, bronze-casting. 51” x 44” x  8”





A teal tinted window hangs on a white wall. An Identical sized pane of glass is leaning from the floor onto the window. It has been shattered and mended using stained glass soldering. A silk leaf punctures the plane of glass.
“Window Break” 2014. Found window, glass, metal soldering, silk leaf. 44” x 35” x 10”





A quilted rectangle of brown soil lies on a concrete floor.
Soil Quilt, 2012. Soil, latex, batting 1” x 48” x 96”